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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
Continuo.	24	0	8	5	97%
Violone	24	0	8	5	97%
Evangelist.	16	0	6	4	79%
Violino I.	15	0	5	6	69%
	18	0	5	5	67%
Viola.	18	0	5	6	69%
Basso.	17	0	5	4	63%
Alto.	13	0	4	3	42%
Bassoon	21	0	6	4	42%
Soprano.	13	0	5	2	39%
Flauto traverso II.	12	0	2	3	29%
Oboe II.	13	0	2	3	29%
Flauto traverso I.	12	0	1	3	26%
Oboe I.	12	0	1	3	26%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.

Samuel Ricke

2:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
Continuo.	24	0	9	7	100%
Tenore.	18	0	7	6	100%
Soprano.	18	0	7	5	98%
Bass	21	0	7	6	93%
Violone.	21	0	8	7	93%
Alto	11	0	5	6	52%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
Violoncello.	28	0	9	3	100%
Violone.	28	0	9	3	100%
Cornetto.	13	0	4	8	89%
Soprano.	13	0	4	6	89%
Alto.	14	0	5	7	83%
Trombone I.	14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.

Gertim

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
Continuo.	17	0	4	4	100%
Violino I.II.	20	5	6	4	100%
Violone.	17	0	4	4	100%
Tenore.	13	0	4	6	62%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	4	6	100%
	24	0	7	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	6	100%
	24	7	6	100%
Soprano/Alto	13	4	6	100%
Tenor/Bass	24	7	6	100%
Contrabass	17	6	4	50%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	0	3	6	100%
	16	0	4	6	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	3	6	100%
	16	4	6	100%
Alto.	10	1	5	100%
Basso.	15	4	4	100%
Fagotti.	15	4	4	100%
Flauti traversi.	11	2	4	100%
Oboi.	11	2	4	100%
Organo e Continuo.	15	4	4	100%
Soprano.	11	2	4	100%
Tenore.	10	2	5	100%
Viola	10	2	6	100%
Violino I.	11	2	4	100%
Violino II.	10	1	5	100%
Violone.	15	4	4	100%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.

Samuel Ricke

0:53	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	0	4	6	100%
	22	0	6	6	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	4	6	100%
	22	6	6	100%
Alto.	8	1	5	100%
Basso.	15	5	6	100%
Continuo.	15	5	6	100%
Cornetto.	11	3	4	100%
Soprano.	11	3	4	100%
Tenore.	12	3	4	100%
Trombone I.	8	1	5	100%
Trombone II.	12	3	4	100%
Trombone III.	15	5	6	100%
Viola I.	8	1	5	100%
Viola II.	12	3	4	100%
Violino I.II.	11	3	4	100%
Violone.	15	5	6	100%

39. Christ lag in Todesbanden. BWV 278.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%